CompLit. Journal of European Literature, Arts and Society

Chiara LOMBARDI, "Introduction. What Do We Talk About When We Talk About Origins?" - Marianna POZZA, "From Creation to Use. Some Echoes of Correspondence Between Forms of Thought and Forms of Language in Ancient Indo-European Languages" - Pierre SWIGGERS, "Babel, ou l'origine de la parole dispersée. Mythe, hypermythe et mythe littéraire" - Sergio PACE, "The Day after the Seventh Day. The Origins of Western Architecture and its Changing Narratives" - Quintus IMMISCH, "Imagining the Naked Body. Winckelmann, the Origin of Art, and the Cultural History of Nudity in the Eighteenth Century" - Daniele BORGOGNI, "‘Grateful digressions' and Conflictual Conceptualisations in Milton's Eden" - Nicola GIANSIRACUSA, "Solving the Mystery of ‘Angelica Farfalla'. Primo Levi and the Origin of Life" - Serena CODENA, "Qui n'a pas son Minotaure ? de Marguerite Yourcenar. À l'origine d'une civilisation de monstres" - Maroua DEROUICHE, "Porporino ou les mystères de Naples de Dominique Fernandez comme récit originel" - Voussad SAÏM, "La parole poétique dans L'Arbre à dires de Mohamed Dib, ou comment se perpétue l'originaire" - Isabella PELLEGRINO, "Fictionnaliser l'origine. Le Quatrième Siècle d'Édouard Glissant et Texaco de Patrick Chamoiseau" - Davide BURGIO, "‘We Make Still by the Law in Which We're Made'. Creation and Subcreation in Tolkien's Ainulindalë" - Marius BOMHOLT, "An Apocalypse, a Genesis - or Both? Gaze and Transposition in Alan Weisman's The World Without Us" - Philipp STELZER, "On the Origins of Globalisation. Cosmic Origins and Epic Totality in Stanley Kubrick's 2001: A Space Odyssey"